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Fr eesex

We will look at key figures in Fr eesex history of radio drama who have expanded its potential, from Dylan Thomas to Samuel Beckett to contemporary writers such as Simon Armitage, whilst also looking closely at the state of radio drama today - thinking about opportunities for new writers and looking at the practicalities of how to explain and pitch ideas. How do sound effects work and when should the writer organise and select them?

Home - Spring Village Essex

Much of what we discuss will focus on techniques of writing Fr eesex that can be applied to other media such as theatre, television or film. This week module will explore writing for radio. We will also cover how to format and set out a radio script, and students will be introduced to the radio drama schedule: These are some of the questions explored in this module, through a selection of classic texts in fiction, poetry and drama. Students are advised to obtain as many of the prescribed texts as they can and to read some of them before the start of the academic year.